Foreward

I.  Eugène Ysaye The Tools of Violin Mastery

II.  Leopold Auer A Method without Secrets

III.  Eddy Brown Hubay and Auer: Technic: Hints to the Student

IV.  Mischa Elman Life and Color in Interpretation. Technical Phases

V.  Samuel Gardner Technic and Musicianship

VI.  Arthur Hartmann The Problem of Technic

VII.  Jascha Heifetz The Danger of Practicing Too Much. Technical Mastery and Temperament

VIII.  David Hochstein The Violin as a Means of Expression

IX.  Fritz Kreisler Personality in Art

X.  Franz Kneisel The Perfect String Ensemble

XI.  Adolfo Betti The Technic of the Modern Quartet

XII.  Hans Letz The Technic of Bowing

XIII.  David Mannes The Philosophy of Violin Teaching

XIV.  Tivadar Nachéz Joachim and Léonard as Teachers

XV.  Maximilian Pilzer The Singing Tone and the Vibrato

XVI.  Maud Powell Technical Difficulties: Some Hints for the Concert Player

XVII.  Leon Sametini Harmonics

XVIII.  Alexander Saslavsky What the Teacher Can and Cannot Do

XIX.  Toscha Seidel How to Study

XX.  Edmund Severn The Joachim Bowing and Others

XXI.  Albert Spalding The Most Important Factor in the Development of an Artist

XXII.  Theodore Spiering The Application of Bow Exercises to the Study of Kreutzer

XXIII.  Jacques Thibaud The Ideal Program

XXIV.  Gustav Saenger The Editor as a Factor in "Violin Mastery"